Well well well, reader... I've been watching an episode of Dr Who again (what do you mean, "get a life"? I have a life, reader, I went to Bruge today with my friend A, and it was brilliant. But still, generally speaking, it's nice and boring, and I can watch all the episodes of Dr Who I like.)
Anyway. As soon as you stop making impolite comments about my social networking skills, I'll be able to tell you the subject of today's post, i.e. The Top 5 Works of Filmed Fictions that Broke My Heart so Bad I couldn't Stop Crying Even After the Credits Were Over. A long title. As always, this list is not classed in any way, nor is it exhaustive. It's just the one I came up with tonight.
1. Moulin Rouge. Broke my heart. Made me cry and cry, and after I came out of the cinema, I wasn't happily ashamed of myself, like I was at the end of Amelie, when me and my sister M gave a big, loud and simultaneous sob as soon as the movie was over. I was down and sad, and it didn't go away until I reached home. Then I remembered the Elephant Love Medley and Ewan McGregor's teeth and all and I felt slightly better (also I went and saw it again and again -and again- with my best friend V, and then I was so focused on his eyes and his eyebrows smiling before he did in "Your Song" that I mostly flew home and sang The Beatles' "Till there was you" all the way). The first movie by far that touched me that much, as well as one of the first of a huge lot of great movie-going experiences with said best friend V.
2. The Dead Poet's Society. Saw it once, didn't understand any of it, saw it when I was old enough to relate, and now I still get shivers when I think about that O Captain my Captain thing when they all climb on their desks. (Yeah, I know, that's not very original, but it's definitely in my top five I think, even in the classed and exhaustive one). It's that sense of waste and the good things that are said about human nature that do the trick in this case. Faith and regret and love. I like it.
3. Well, there we go, I talked about it, I'd better write about it now, Dr Who's "The Human Nature" and the follow up episode called "The Family of Blood". Now I know I might well sound lame, it's just Dr Who, it's for kids and all, but these two episodes are simply something else. The Doctor becomes human for a change, he quits being a Time Lord (you don't need to know nor understand the reasonsfor that, really, they really are lame), and he forgets all about what he used to be. The episodes are mostly about Martha Jones, his companion on the Tardis, starting to think that even without their love being impossible, it still would be. It's one of these occurances when the screenwriters just went too far. It's too sad to be enjoyable, and it quite simply depresses me, but they still are my favourite episodes of Dr Who ever, because they say so much about the characters and they say it so well, and you know me, the Doctor, Martha Jones, I think they're just brilliant, the both of them. I must admit this might not be on my top 5 in 2 days' time, but I saw these episodes tonight, and I just HAD to tell you about them, because they are such good GOOD episodes.
4. Devdas. Oh, yeah, Devdas. The lady and the tramp (only it's rather the prince and the lady-tramp, only calling Aishwarya Rai a tramp simply won't do, not on any occasion, not even a lady-one), but which would end terrrrribly wrong. The worst ending in the history of cinema (in that it is terribly sad, of course, not in a Matrix Revolutions kind of way). Plus music, plus costumes, plus curry, plus Chandramukhi. I love it. The movie is 4 hours long, more than worth the time if you watch it on a big screen. Allow one good hour to get over the heartbreak (oooh, the heartbreak, break brrrreak, chanananan). And do not forget to take one big sister with you, it's a sine qua non condition, you definitely cannot go alone.
5. Buffy's Acathla. I'm actually still not over it. It's too mean to do that to a character, it's cruelty for the pleasure of being cruel to your character. It's beautiful and great and I loved every bit. Actually, now that I come to think of it, I'll make number 5 a global award to the amazing works of Joss Whedon : the Acathla episode was brilliant, the one when Giles leaves for England left permanent salted-water stains on the carpet of the living-room, Spike alone would deserve an entire top 5. And let us not forget the regretted team of Firefly, who managed to make me cry when watching the bonus material. I so wish we could have seen more.
There you go, reader. A new top 5. It is now officially 4 in the morning here in Belgium, and more than time for people like me to get their beauty sleep if they do not want to look like the whole cast of Dawn of the Dead rolled into one tomorrow morning (Ghrrrruuuuuuhh). And I'd like to know more about your own top 5 ! Tell me more, tell me more!
4 commentaires:
...Attends, je réfléchis et je reviens.
Vas-y, vas-y, c'est le genre de questions existentielles (sielles cielles ??) qui nécessitent une réflexion intense et profonde... Je patiente, je patiente....
Euh... Bonjour! Alors, voilà (j'ai pris que des films):
-Dead poets' Society (bon)
-Ladybug de Ken Loach (nnnoooon! Pas le bébéééé! pas le tout petit bébéééé! aaaaah!)
-Sur la route de Madison (le coup de la croix accrochée au rétro...)
-La vie rêvée des anges (tellement traumatisant que j'ai tout oublié)
-Bon, pour le cinquième j'ai une idée mais je suis sûre qu'il y a des meilleures réponses. Alors je réfléchis et je reviens ok?
Ah mais non mais ça ne va pas du tout ! j'en ai vu aucun à part le cerle des poètes disparus ! Vivement le 5ème, en tous cas !!
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